Picture Taking Strategies For Kenton Oklahoma

Composition - The Heart of the Photo

Composition is the heart of the photo. Composition leads to the work of art that begins from inspiration. Inspiration begins when you disconnect with the internal battles of everyday life and free the spirit to experience the world around you. Experiencing nature and truly being in the moment links you with all around you.

It might seem like meditation, but knowledge of your surroundings without hindrance of ideas that are external clears the mind and sharpening your senses. Pictures seem where you didn't see them. The components begin to align and art emerges.

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Joseph Cornell in his book 'Listening to Nature How to Deepen Your Awareness of Nature' had this exercise. Walk into an area that you would like to photograph. Rather than setting the camera up and shooting. Sit down. Wait. Relax. Be still and sense the moment. Very gently become conscious of nature. The Native Americans called this 'quiet hunting'. You personally will be spoken to by nature, but you have to be quiet. Nature talks softly. Nature will show herself to you, if you're patient. And unbelievable pictures will appear.

There are numerous times that I've entered the woods with camera in hand and not found anything that I needed to photograph. It could be that I was not prepared or nature did not wish to reveal herself. That day, maybe she did not feel photogenic. Scenes appear as if by magic, other days. If you can't find anything to shoot on any given day, so do not be disappointed. Use that time to scout the area for future chances and revel in the truth that you've got an opportunity to be outdoors.

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Choose this as the opportunity to plan for future shots. At these times think, what if the light was coming from an alternate direction. A better image may be produced by coming back in the early morning or late day. The landscape changes. Maybe shooting together with the foliage in brilliant colours, in the autumn, or winter with a fresh layer of snow would create the photo that you want.

Do not hurry yourself when seeking that image. Time with nature is a delight all by its own self. If you don't find anything to shoot, the sheer pleasure of being one with the outside is worth the encounter.

For today's photo trick, lets talk a little about landscape photography hints and techniques. This will definitely be a review of things we've discussed before, but a lot people have not actually attempted using them. Set as a target for this particular weekend to get out there and use these landscape photography hints and techniques to create something you can take pride in!

Light - with a portrait, we have total control. We can adjust the light levels, we can place our light where we need, we can set modifiers in front of it - like umbrellas, scrims, diffusion substance, gobos and so on... We can do pretty much anything we desire to get the image our mind has conjured up!

With cityscape and landscape photography, we are pretty much stuck with what nature provides us. There is not much we can do.

Or is there? With some preplanning, we can almost guarantee a gorgeous shot!

In an outside, landscape setting, there isn't much we can do to modify or correct the light, but we can become hyper aware of what light does at various times of day - and in various weather conditions.

First and foremost to achieve success as a landscape or cityscape photographer - you have to really have a desire to lose sleep.

What am I talking about? Glad you asked! There is really only two times of day to shoot, if you intend to start getting those dramatic landscape pictures with all the beautiful colours - at dusk and at dawn.

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However, for a photographer, morning and dusk are a bit more expanded than it may seem. About twenty minutes before the sun first peeks over the horizon in the morning there's a 'bogus' dawn. This time of day will give you those intense cobalt blue colours you see in contest winners, but have not been able to find in nature!

As the sun gets nearer and closer to the horizon, the colors will start to get pinker. The colours you see at dawn AREN'T the same as the colors you see at sundown. (They're more red and orange.)

So, pull yourself out of bed a couple hours before dawn so that you will have sufficient time to grab a cup of coffee (so you're awake enough to focus) and make your way to your predetermined place, get set up and start shooting during the false dawn.

See what I mean about wanting an urge to reduce sleep? Hereis the great thing, most of your buddies as well as camera club contest will be snoring away while you 'get the shot!'

Incidentally, there's a sunset that is fictitious about 20 minutes following the sun goes down. You're not spending that time watching TV are you?

Along with the excellent colors, you also get great light angles!

Think about the last photo you saw of a body builder... Where was the light? I'd venture to guess that it was to the side. Actually about 90 degrees to the camera - model axis.

This glancing side light causes heavy shadowing around the muscles making them appear more defined and actually larger. The light causes some specular highlights too - which makes the difference between highlight and shadow even more striking.

Now think of your cityscape or your landscape as a muscle bound version. The shadows due to the glancing sunlight will help accentuate and define the forms.

Next look for an intriguing scene! Use foreground elements to attract the eye into the photo. Make use of the rule of thirds, leading lines, diagonals and other compositional methods to attract the viewer's eye to the 'star' of your photo. (Be sure you have a well defined 'star!')

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Ultimately, throw in several clouds to reflect the sun's colours and add some visual interest to the sky and you'll be well on your own way to winning photo competitions!

Do all of this at daybreak - then do a picture of the same scene at midday. Ultimately, do it again at sunset and compare all your results. I believe you will rapidly start to recognize just how significant rules, techniques and all the photo tips we have been discussing actually are!

Take note of these landscape photography hints and techniques, and make it a goal to USE THEM this weekend! Check back tomorrow for more...

Relating To Photography Equipment For Norwood Ohio

Landscape Photography Photo Hint - Get Better Sunset Photography With Silhouettes!

The landscape photography photo hint of today will continue our discussion of how to create beautiful sunset photography.

Formerly, we discovered that the pretty colors aren't enough. A winning sundown photo wants a star. Now let us add shapes to get better sundown photography.

In previous posts, we've mentioned that the star could be an interesting palm tree, a seagull flying by... basically anything! The gorgeous colors are the backdrop to our star, not the focus of the photo.

But (as in our routine non sunset landscape photographs) the most effective star is an individual! Folks like looking at people! You will receive the viewer more readily engaged in a photo - any photo - where there are people being revealed.

In a sunset photograph there is two methods to add a person. In shape showing no aspect and generally showing complete detail.

Now's sunset photography photo hint will discuss including a silhouetted man. Or actually anything - the principles are valid regardless of what your 'star' is. Done well, the outcome can be among the most exquisite pictures you may ever create.

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When adding a silhouette, the crucial component to keep in mind is that you're adding a contour, not a man (or bird or tree). Your shape will soon be pure black with no detail.

In sunset photography, getting the shape that is black that is pure free of detail is really quite simple. In our previous conversations, we have learned that if we take our meter readings from the sky - everything else in our sundown photo is going to go black. Ta-daaa!

Previously, our concern was to bring detail into the dark spaces - now we only let them go dark.

The first step will be to meter from the sky, not the person, so to add a silhouette. Should you meter from the person, your camera will make a powerful effort at setting an exposure to reveal detail.

In other words, it's necessary for you to take the camera off automatic - meter for the sky and then re-compose to set your 'star' in the right spot in the photo.

Simple.

In adding a shape, the second concern we've got is actually more challenging to get right.

Remember, you're adding a contour and everything but the sky is black with no detail. Including the ground. When you add your shape, it's to 'read' right.

By 'read' I mean that when someone looks at your photo, they must be able to immediately tell what it is. If your subject is standing in front of some other object, like a palm tree, rock or whatever - the (black with no detail) contours will mix together and distort the image.

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This idea is difficult to put in words but easy to comprehend. I'm certain you've observed pictures where the silhouettes neither seems correct and combined together. Someone using a palm tree growing out of their head, a palm tree using a seagull's wing sticking out of the trunk and so on...

Be sure that there's nothing intersecting with your silhouetted shape.

This contains the ground... Often I see shapes where the top half of the version is in silhouette but the bottom half is lost in the ground. You may have to shoot up at your star from a marginally lower vantage point to avert this type of blending.

The 3rd factor to think about is the shape itself! Not only do you have to be careful for your shape not reading correctly because it combines with others, it can combine with itself also! Arms crossing in front of the body or hanging (with no gaps) along the sides, legs together and so on.

To get an effective shape, the pose is critical! Even more so than in a usual photo of the individual. The very fact that she is a pretty girl doesn't matter in this event. In a shape, no one is going to be able to tell what she looks like.

Take photo examples out of magazines and color them using a black magic marker. Would that pose 'read' and be successful if that was all you could see of the person?

Hats and look strange in silhouette and other clothing could drastically alter the shape. It may look as a tiara in the wedding pictures, but in silhouette, it resembles demon's horns sticking from her head.

Study various find several you can use if you are making silhouettes and poses for their shapes. When the specific situation arises, so that you will always have them at hand, add them to your notebook.

Shapes are not just successful in sunset photography, but at weddings. Pose the couple in silhouette in front of a stained glass window for example. Or in the doorway of the church from outside silhouetting them with the light.

Exercise today's landscape photography photo hint on how best to get better sundown photography by including silhouettes. There are various times when a silhouette is just the thing you need to separate you from the bunch, its worth learning the way to do them nicely. A