Photographic Hints – The Ideal Way To Create Higher Quality Photographs For Westville Indiana

Landscape Photography Photo Trick - Get Better Sunset Photography With Shapes!

Today's landscape photography photo tip will continue our discussion of how to create beautiful sunset photography.

Previously, we found that the pretty colors are not enough. A winning sundown photo wants a star. Now let us add shapes to get better sundown photography.

In previous articles, we have mentioned the star could be an interesting palm tree, a seagull flying by... essentially anything! The magnificent colors are the backdrop to our star, not the focus of the photo.

But (as in our routine non sunset landscape pictures) the best star is an individual! People like looking at people! You will get the viewer more easily engaged in a photo - any photo - where there are folks being shown.

In a sunset photograph there's two ways to put in a person. In silhouette showing no element and generally revealing full detail.

Today's sunset photography photo trick will discuss adding a silhouetted individual. Or really anything - the principles are valid no matter what your 'star' is. Done well, the outcome can be among the most exquisite pictures you may ever create.

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When adding a silhouette, the crucial component to keep in mind is that you're adding a shape, not a person (or bird or tree). Your shape will probably be pure black with no detail.

In sunset photography, getting the pure contour that is black free of detail is actually quite easy. In our previous discussions, we have learned that if we take our meter readings from the sky - everything else in our sundown photo is going to go black. Ta-daaa!

Previously, our concern was to bring detail into the dark areas - now we just have them go dark.

The first step will be to meter from the sky, not the person, so to add a silhouette. Should you meter from the individual, your camera is likely to make a mighty effort at setting an exposure to show element.

In other words, you need to take the camera off automatic - meter for the sky and then re-compose to put your 'star' in the right position in the photo.

Simple.

In including a shape, the 2nd concern we have is really more difficult to get right.

Remember, you are adding a contour and everything but the sky is black with no detail. Including the ground. When you add your shape, it's to 'read' correctly.

By 'read' I mean that when someone looks at your photo, they must be able to instantly tell what it is. If your subject is standing in front of some other item, like a palm tree, stone or whatever - the (black with no detail) shapes will blend together and distort the image.

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This notion is difficult to place in words but easy to understand. I'm certain you've observed photographs where the silhouettes neither appears right and mixed together. Someone with a palm tree growing out of their head, a palm tree with a seagull's wing sticking out of the trunk and so on...

Be sure that there's nothing currently intersecting with your silhouetted shape.

This includes the ground... Often I see shapes where the top half of the model is in silhouette but the bottom half is lost in the ground. You might have to shoot up at your star from a vantage point that is somewhat lower to prevent this form of blending.

The third factor to think about is the contour itself! Not only do you need to watch out for your shape not reading correctly because it mixes with others, it can blend with itself too! Arms crossing in front of the body or hanging (with no openings) along the sides, legs together and so on.

To get an effective shape, the pose is vital! Even more so than in a usual photo of the individual. The very fact that she is a girl that is pretty doesn't matter in this case. In a shape, no one is going in order to tell what she looks like.

Take photo examples out of magazines and color them with a black magic marker. Would that pose 'read' and be successful if that was all you could see of the individual?

The shape could dramatically change and look bizarre in silhouette. It may look like a tiara in the wedding photographs, but in silhouette, it looks like demon's horns sticking from her head.

Study various poses for their contours and find several you can use when you are creating silhouettes. So you may always have them at hand when the specific situation appears, add them to your laptop.

Silhouettes are not only effective in sunset photography, but at weddings. Model the couple in shape in front of a stained glass window for example. Or in the door of the church with all the light from outside silhouetting them.

Exercise today's landscape photography photo hint by including silhouettes on how to get better sundown photography. There are lots of times when a silhouette is just the thing you must distinguish you from the group, its worth learning the way to do them well. A

Getting A Pro Appearance In Your Personal Landscape Pics For Westover Pennsylvania

Landscape Photography With Your Digital SLR Camera

There are many factors that go towards landscape photography that is fantastic. Here are a couple of points to consider.

To be able to pack us much of a scene as possible into the picture lens Using an ultra wide angle lens is typical. Nevertheless, it is worth experimenting with a telephoto lens too.

Composition Pay attention to the rule of thirds, i.e. break the image down into a nine square grid, then put any lines in the picture, or focal points, along the lines of the grid.

Focal/interest points Placing a building in the foreground, trees, or an individual add an image and a feeling of scale and may give a focal point.

Light Some landscape photographers never shoot during the day, only at daybreak and dusk when life can be struck by the light into a landscape. It is not just the reds and pinks of sunrises and sunsets that may create drama, but the golden light of a low sun can warm a scene and create patterns and astonishing textures thanks to its low angle. Likewise, mist, storms, thunderous clouds and dark skies could be more exciting to work with than a lovely sunset or a sunny day.

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Depth of field When using a digital SLR, or an SLR, join a slow shutter speed with a tiny aperture to ensure your photograph has sharp focus up to the very edges. For this you'll need to make sure your camera is secure as any handshake can create blur. The apparent solution is a tripod or if you don't have one attempt to find something on which to rest the camera.

Exposure Because the sky is generally quite brilliant and the ground not so, this presents all cameras with exposure issues. Then using a graduated filter will help even out the brightness, in the event you can.

Location Walk around the location from which to take a shot to locate the best spot. Time spent preparing is never time wasted, especially when you find a more fascinating point of view to shoot from. Ramble around, get down low or climb a tree to find that vantage point that is fascinating.

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Atmosphere Shooting in black and white can produce some dramatic landscape pictures. If shooting film and you also have two cameras, you may simply change cameras to the one loaded with black and white film. Alternatively, with a digital SLR camera, it really is straightforward convert it to monochrome in Photoshop later.

Sky In most landscape shots, either the foreground or the sky will reign. Put it in the upper third in case the sky is not particularly striking. Conversely, if the sky is full of cloud shapes and fascinating colours, put the horizon in the bottom third.

Motion Few landscapes are genuinely still as we might envision. Birds flying through clouds drifting the sky, water running and waves in the sea are all instances of potential movement in landscape shots. Comprising motion may add drama and focal points to a photograph, though it is going to mean you will most likely have to employ a longer shutter speed (up to a couple of seconds). You'll need to make use of an appropriate filter or a smaller aperture, because this will mean greater exposure.